Description
The Knife - Silent Shout
Limited Violet Vinyl LP £21.99
Track Listing:
1. Silent Shout
2. Neverland
3. The Captain
4. We Share Our Mothers Health
5. Na Na Na
6. Marble House
7. Like A Pen
8. From Off To On
9. Forest Families
10. One Hit
11. Still Light
Limited Violet Vinyl LP £21.99
Track Listing:
1. Silent Shout
2. Neverland
3. The Captain
4. We Share Our Mothers Health
5. Na Na Na
6. Marble House
7. Like A Pen
8. From Off To On
9. Forest Families
10. One Hit
11. Still Light
The Knife continues their 20th Anniversary celebrations as the duo of Karin and Olof Dreijer present a new violet coloured vinyl pressing of their critically adored third
studio album, ‘Silent Shout’ The Knife reached yet another pinnacle with ‘Silent Shout’. After the effervescent, Eurodisco-tinged pop of their 2003 album, ‘Deep Cuts’,
the Dreijers developed a dark parallel world on their 2006 follow-up. With menacing electronics rooted in early techno and identity masking via the art of pitch shifting,
The Knife used their platform to subvert institutional structures and challenge social norms. They were a band with something to say and people were listening.
For all its clean air, the isolated community they were raised in was suffocatingly patriarchal. The weight of gendered expectations almost too much to bear. In that
context, ‘Silent Shout’ is a protest album of sorts. Songs like ‘Forest Families’ and ‘One Hit’ gnash their teeth at the pressure that sexism, homophobia and capitalism
exert. The album’s sometimes eerie interpretation of 90s techno and trance - a formative era for both siblings - proved the perfect foil for the stinging social realism of its song lyrics.
While there had always been at least a year-long delay between the Swedish and international releases of their previous albums, ‘Silent Shout’ was released everywhere
at once. And, for the first time, they took their music on tour. On stage, they wore black pantyhose over their heads daubed with UV paint. For interviews, they used their
bird masks and altered their voices any time they were on video. They became famous for not wanting to be famous.
studio album, ‘Silent Shout’ The Knife reached yet another pinnacle with ‘Silent Shout’. After the effervescent, Eurodisco-tinged pop of their 2003 album, ‘Deep Cuts’,
the Dreijers developed a dark parallel world on their 2006 follow-up. With menacing electronics rooted in early techno and identity masking via the art of pitch shifting,
The Knife used their platform to subvert institutional structures and challenge social norms. They were a band with something to say and people were listening.
For all its clean air, the isolated community they were raised in was suffocatingly patriarchal. The weight of gendered expectations almost too much to bear. In that
context, ‘Silent Shout’ is a protest album of sorts. Songs like ‘Forest Families’ and ‘One Hit’ gnash their teeth at the pressure that sexism, homophobia and capitalism
exert. The album’s sometimes eerie interpretation of 90s techno and trance - a formative era for both siblings - proved the perfect foil for the stinging social realism of its song lyrics.
While there had always been at least a year-long delay between the Swedish and international releases of their previous albums, ‘Silent Shout’ was released everywhere
at once. And, for the first time, they took their music on tour. On stage, they wore black pantyhose over their heads daubed with UV paint. For interviews, they used their
bird masks and altered their voices any time they were on video. They became famous for not wanting to be famous.
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