Surgeon - Shell~Wave *Pre-Order


Format: Double Vinyl LP
Price:
£27.99

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Pre-order

Description

Release Date Friday 2nd May 2025
All pre-orders will be dispatched/made ready for collection on that day.

    Two years after releasing the acclaimed Crash Recoil, Anthony Child aka Surgeon returns to
    Tresor with new LP, Shell~Wave. Retaining the minimal equipment list and studio-version-of-live-
    show-sets approach of the previous album in order to focus on the work itself, Shell~Wave is a
    deeply personal document of both where Surgeon is and has been, converging three decades of
    experience with a continued curiosity in the untested.
    “To make this project, I had to dig really deep in terms of what my relationship was to techno; I’ve
    been involved with it for a really long time and there’s a lot about it I feel dislocated from, so I had
    to really think hard about what techno is to me. I often get asked “what is techno to you?” but I
    can’t answer that with words; this album is the answer.” From the complex, twisting track Infinite
    Eye to the caustic Soul Fire, the eight tracks that make up the body of the album are single-take
    explorations of the vast, hard yet minimal techno Child is synonymous with.
    Neatly dividing the record in two, the emotional centre of the record comes in the form of
    Dying, a vibrating, beatless piece that with a mantra-like vocal loop steeped in
    reverberating effects. Further echoes of dub production appear throughout the record as
    tracks like Divine Shadow, and Empty Cloud have an almost ever-present mist of
    reverberation, driven by the appearance of a new delay unit in the equipment list; while
    much of the philosophy of Crash Recoil’s creation is present, the process and the
    instruments have changed as Child again switches up his approach to studio work.
    This insistence on trying novel techniques doesn’t preclude returning to old ones, as this
    use of modern digital machines with live, hands-on takes that are as inspired by 60s
    producer Joe Meek and 70s reggae as they are by this year’s synthesiser expos. “For me,
    it’s an interesting experience returning to old techniques again after 30 years. [I’m] always
    exploring and finding myself back at the beginning. Connecting the present with the past.”
    This philosophy of ‘time travel’ is inherent to the music itself as the synchronised loops
    repeat while the delay and effects branch out, forming unique eddies; distinct quantum
    moments within the circular whole; the future leaking through the spaces between the
    sounds. All of the concepts on the album are perfectly communicated through the painting

    by Taiwanese artist Jazz Szu-Ying Chen which suggests the movement of water, sound
    waves, and the chitinous shells of sea creatures.
    1. / A1 Serpent Void 05:42 2. / A2 Soul Fire 06:06 3. / B1 Divine Shadow 05:36 4. / B2
    Forgotten Gods 06:12 5. / B3 Dying 03:05 6. / C1 Infinite Eye 06:26 7. / C2 Triple Threat
    06:35 8. / D1 Empty Cloud 04:29 9. / D2 Fall 04:57

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