Fallujah - Fallujah *Pre-Order


Format: Red w/ Black Swirl Vinyl LP
Price:
£32.99

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Release Date Friday 13th June 2025
All pre-orders will be dispatched/made ready for collection on that day.

    TRACK LISTING
    1. In Stars We Drown / 2. Kaleidoscopic Waves / 3. Labyrinth of Stone / 4. The Crystalline Veil / 5. Step Through the
    Portal and Breathe / 6. A Parasitic Dream / 7. The Obsidian Architect / 8. Xenotaph

    "Tech-metal outfit FALLUJAH expand horizons and solidify their position as one of America’s most exciting artists on their
    new album, Xenotaph, through Nuclear Blast. The Bay Area-based quintet’s confidence in the lineup that made their
    previous album, Empyrean (2022), such a resounding success—earning high marks from Metal Injection, New Noise, and
    Guitar World—has been reconfigured slightly, with guitarist Sam Mooradian (INHALE EXISTENCE, SAM MOORADIAN)
    and drummer Kevin Alexander (DISEMBODIED TYRANT. BROUGHT BY PAIN) bringing their jaw-dropping musical
    proficiency to the fold, as vocalist Kyle Schaefer, guitarist Scott Carstairs, and bassist Evan Brewer enter a new chapter
    with FALLUJAH. Moored by singles ‘Kaleidoscopic Waves,’ ‘Labyrinth of Stone,’ and ‘Step Through the Portal and
    Breathe,’ Xenotaph is FALLUJAH personified, reinvigorated, and re-imagined. “Having numerous self-sufficient writers in
    the band who all agreed on a shared vision allowed us to work as a team to make sure every song was intense, detailed and dynamic but not overbearing in any aspect, at least to our tastes,” Carstairs says. “We spent many hours trying out
    different arrangements and had a goal from the beginning to keep the song structures fast-paced and dense with tons of
    different parts in each song. We also tried to push the music in a simultaneously more melodic and more
    technical/progressive direction—even crazier riffs and solos balanced out by atmospheric moments and more prominent
    clean vocal hooks.”
    As a details-oriented record Xenotaph benefits from moments of low tension, atmospheric delight, and Schaefer’s winged
    clean vocals.
    This dynamic isn’t particularly new to Fallujah, but the group spent considerable time honing what each song
    needed—from blast-laden speed runs and jazz-fusion solos to vocal restraint and brutality—which resulted in a brighter,
    more exhilarating experience. Musically, it truly feels like the listener is embroiled in the album’s sci-fi concept and Peter
    Mohrbacher’s stunning cosmogonic cover art, which is aesthetically in line with his previous covers (Dreamless and
    Empyrean) for FALLUJAH. Close encounters with ‘Step Through the Portal and Breathe’, ‘Labyrinth of Stone,’ and
    ‘Kaleidoscopic Waves’ spark wonder and stimulate the soul. “‘Kaleidoscopic Waves’ was the first song we began working
    on,” recalls Schaefer. “The song changed a lot before it ended up in its current form. ‘In Stars We Drown’ came together
    the most quickly, and was the first song I wrote vocals for. The last song we completed together was the title track
    ‘Xenotaph,’ which was also the most collaborative song with a good balance of everyone’s ideas and contributions. We
    spent a lot of time going back and forth on what the singles should be, and even though ‘Kaleidoscopic Waves’ might
    seem like the obvious choice due to length and structure, we actually weren’t planning on releasing it as a single at all for
    the vast majority of this process. It’s brighter and more upbeat than most of the other songs, and we were originally
    planning to debut the record with something darker, heavier and more ‘Fallujah-y.’ In the end, we decided to lead with
    ‘Kaleidoscopic’ and then trust the subsequent singles to give people an idea of the full range of what to expect.” For
    Xenotaph, Schaefer was influenced by Frank Herbert’s Children of Dune novel, as well as other Dune stories and
    theatricals, as well as impressions from Mohrbacher’s cover art, illustrated for his The Watcher’s series. From there,
    FALLUJAH’s frontman went into “a pretty psychedelic & complicated sci-fi story.” Each song on Xenotaph represents a
    chapter or section of the whole, starting with ‘Kaleidoscopic Waves,’ a tale of the main protagonist in a post-death wake
    state meeting the ‘guide,’ who may be angelic in appearance but is intently malevolent. Wrought with twists and turns,
    Schaefer’s per-song arc engrosses and enthralls. “I wanted everything to feel very sci-fi and abstract rather than
    resembling any traditional human ideas of heaven or hell,” Schaefer says. “This ‘guide’ accompanies the narrator on a
    journey through incomprehensible new worlds as well as the inner working of their own psyche and memories, leading the
    narrator to develop a profound sense of enlightenment and attachment to this new plane of existence. The twist that
    comes later, though, is the realization that this character isn’t dead, that the entire experience has been a lie, and that the
    angelic guide is really more like a parasite inside the character’s mind, trying to trap and deceive them into surrendering
    their soul instead of waking up from this dreamlike state.” Xenotaph was produced by FALLUJAH, engineered by Dave
    Otero (CATTLE DECAPITATION, ARCHSPIRE) and Mike Low (VITRIOL, ABORTED) at Flatline Audio in Denver,
    Colorado and Top Track Studios in Nashville, Tennessee.
    Otero also mixed and mastered Xenotaph. The main goal was elevation, building upon yet soaring upward from
    Empyrean, one of the group’s strongest productions to date. The team focused the separation of FALLUJAH’s breakneck
    pace, meticulous songcraft, euphonious leads, and unrivaled intensity, creating an experience pulls the listener into
    Xenotaph’s high-caliber music and concept. ‘Kaleidoscopic Waves,’ ‘Labyrinth of Stone,’ ‘Step Through the Portal and
    Breathe,’ and ‘The Obsidian Architect’ engage instantly—their depth and oh-wow moments offer endless replay power.
    “The recording process ended up overlapping with the writing and demoing process to some degree,” reveals Schaefer.
    “Generally, tracking occurred from roughly January-April 2024. We spent about two-three days with Dave at his studio in
    Denver in mid-April. Most of our parts were recorded individually at home, including all guitars, vocals and bass. Drums
    were tracked with our friend/Dave’s assistant Mike Low here in Nashville, and then mixed and mastered remotely by
    Dave.”

    Beyond releasing Xenotaph to an anticipating fanbase, FALLUJAH take aim at the road, drawing upon the success of
    their Empyrean runs. Indeed, attendees to the group’s live performances have witnessed some of Xenotaph’s songs
    already, namely the shimmery prog-bounce and inner world horror of ‘The Obsidian Architect.’ FALLUJAH are in a
    perpetual state of evolution, and Xenotaph demonstrates the group’s hard-won, if profound journey. For there is no
    reverse—only forward progress, and the path ahead is illuminating before them. Step through the portal if you dare…
    “Hopefully fans will be surprised and excited by some of the new directions we’re pushing in,” Schaefer says. “They will
    also still recognize the core elements they’ve grown to love in the past. There are some moments where we wanted the
    music to feel completely new and even out of character for us, and then other moments where we wanted to lean into
    what we already know the band can do well. It’s all about keeping things dynamic and exciting, while hopefully still feeling
    like a fully cohesive piece of work held together by the lyrics and storyline. We’d love for this music to eventually impact
    our fans in the way our favorite music has impacted us.”

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