Kandodo - theendisinpsych

Kandodo - theendisinpsych

Tracklist: 1. chamba7 / 2. theendisinpsych / 3. fuzzy oceans / 4. freefalling

The Heads’ Simon Price returns to his kandodo project with 'theendisinpsych';
"primitive pieces of psychedelic tuneage+years of wasted time=43 minutes of headphone bliss."

It's the follow up to the 2019 collaboration with Wayne Maskell and Hugo Morgan, Kandodo 3 – K3, but this time back  in  solo-mode. He is now relocated in Northumbria, and has recorded the  album himself in his home studio, drawing on his wide collection of music/instruments and the rural environment for inspiration.  

The new album fizzes and crackles with a verve that will activate the “turn on, tune in, drop out” sense in all listeners…

Simon explained the album in a focused/out of focus track by track way… is this Price’s paean to his obsession with Bowie?
 
chamba7 - octave mandolin through fuzz, tambo beat, in praise of Bowie compilations. chamba is malawian weed

theendisinpsych - bought a reel to reel tape off ebay in 2005, ('Bowie radio interview tape, USA, 1970, 3  minutes?') then bought a machine to play it on in 2015. Heard the words and laid them onto a fuzzy break bed.   Thought it all too relevant to today, prophetic David from his 'hippy' days (not a prophet or a stone age man)

fuzzy oceans - played on 1 string spamjo, bouncing echo over 70's drum machine, 'we've fucked the oceans'

freefalling - rolling cello and hissing cymbals with vocoder dreams
 
comes with african/stationtostation artwork stylings for the sleeve..pre-apocalypse blues (and pinks), the world isn't going a good way
a sumptuous 4 course sonic supper, tuck in.

Known as the singer/guitarist of The Heads. Price was raised in Zambia and Malawi, which left an indelible mark on him personally, and is manifest in the song titles, artwork, and name of the project. The influence is less obvious on his instrumental music, but Simon says that if there were lyrics, they'd be about animist religions, hyenas, sharks and dusty drives. Named after a Malawian supermarket that he used to shop in back in the late '80's, the debut self-titled album contains mini-sonic soundscapes that start firmly grounded and then go off into the deepest reaches of space. Along the way, Simon touches on influences as diverse as Kraftwerk, Neu!, Eno, Morricone, Stooges, Loop, and Spacemen 3.
 
kandodo is for Price an exploration of tones, chords, and textures that evoke a very particular emotional response, a sense of yearning. These instrumental pieces are lyrical and evocative soundtracks with an elongated and elegant song structure. Describing them himself as "fuzzy lullabies", Simon’s pieces undulate as delicate layers are built and removed, easing the listener along a thread of melodies. This is immersive music meant to be listened to at a loud volume or in the space between headphones.

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