Description
This a RECORD STORE DAY 2025 title - available over the counter in store first come first served from SATURDAY 12TH APRIL 2025.
If any stock remains this will GO ON SALE ONLINE at 8pm MONDAY 14TH APRIL.
View here for more details - https://www.crashrecords.co.uk/pages/record-store-day-2025-crash-records
Please note stock is very limited so place your order ASAP. Stock is not held in cart so please check out quickly. Please bear in mind that due to the nature of many people trying to place orders at the same time, we cannot guarantee that stock is yours until an Order Fullfilled/Shipped email has been sent. Unfortunately we are not able to combine orders for shipping.
If there are any issues we will email as quickly as we can so please use an email address that you check regularly. All orders will be dispatched as quickly as possible, but overseas orders obviously take longer to be delivered.
Prices are to be confirmed closer to the event - this is purely for info currently
"Released exclusively for Record Store Day 2025 on 180-gram clear vinyl with a lithograph print. This reissue has been mastered directly from the original 1st-generation analogue mono album master tape by Carl Rowatti at Trutone Mastering using an all-analogue chain from a Studer A80 tape machine to a Neumann SP-77 soundboard to a Neumann VMS-70 cutting lathe.
Out of Our Heads was originally released in the US through London Records on 30 July 1965 and was the band's fourth American album. This US version includes the iconic “(I Can't Get No) Satisfaction"", which would be the band's first number-one US hit as well as topping the charts in ten other countries, including the UK. Satisfaction, a Jagger-Richards composition was ranked as the second greatest song of all time by Rolling Stone. Significantly the album saw a move towards featuring more original compositions from the band. Alongside Satisfaction, tracks like The Last Time and Play With Fire, firmly lay out the blueprint for how the band’s signature sound and identity was developing. As on previous albums there were also a selection of well-chosen r&b covers of artists such as Marvin Gaye, Otis Redding and Don Covay. However, as Rolling Stone Magazine writes “… for the first instance on album, the Stones were building an original songbook as hard and dark as they were.”
Definitely a sign of things to come… "
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